The latest in the Shostakovich series from the BBC Philharmonic and conductor John Storgårds pairs one of the most familiar symphonies with one of the least. The Symphony No 2 was commissioned as a piece of propaganda marking the 10th anniversary of the October Revolution; in the context of the composer’s later works it feels like a curiosity, except for what it tells us about the 21-year-old Shostakovich’s glee in experimentation. It begins with several minutes of foggy strings sliding up and down in an intangible, almost pitchless way – more sound effect than music – then builds up in a perpetual motion melee, before a klaxon introduces a celebratory chorus happily singing “October, the Commune and Lenin”. It’s brightly sung here by the CBSO Chorus, exclamation marks everywhere.

The artwork for Shostakovich: Symphonies No 2 and 5.

The Symphony No 5, written a decade later, could be by a different composer. Storgårds doesn’t quite find the depth of darkness that some do in the first movement, but there’s power in the way he warms the sound when the harmonies turn towards the light, and the third movement has a compelling feeling of stillness. The finale is full of small increases in tempo, tautly done, that wind up the tension – not a flashy performance, but effective nonetheless.

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